We Three Kings Light Up Goderich

Roy, Oliver, and Leo.

If last year’s Elvis tribute concert left audiences smiling, this year’s We Three Kings performance at the Columbus Centre on Wednesday, June 10 left them absolutely buzzing.

The multinational tribute show returned to Goderich with a fresh setlist, new staging, and a level of energy that had the crowd cheering from the first note to the last.

To kick it all off was the electricity of Leo Days, who delivered a powerhouse performance that redefined the 1950s and 1960s eras of Elvis Presley.

Days stepped into the spotlight with a confidence and spark that felt straight out of rock ’n’ roll’s golden age. His blackleather ’68 Comeback look drew immediate applause, and his vocals carried the raw edge and charisma that made Elvis a legend. He brought energy and fire to the stage.

To assist with the movies, Oliver and Roy stepped in with matching sweaters, humour, vocals and stories from the Collingwood Elvis Festivals from years past.

Finally, a treat that drew applause the moment he appeared was Roy LeBlanc bringing an all-time favourite to life in a white suit and red tie to sing If I Can Dream.

This year’s production introduced something new: a projected visual backdrop that changed with each decade.

During the 1950s set, still images from Elvis’s early films flickered behind the performers, creating a nostalgic glow that wrapped the room in vintage charm.

When the show moved into the 1960s, the screen came alive with clips from the iconic ’68 Comeback Special, amplifying the emotional punch of the music.

By the time the show reached the 1970s, the visuals shifted again — this time showcasing a rotating gallery of Elvis’s most famous Vegas jumpsuits and stage moments.

The combination of live performance and curated imagery made the evening feel more immersive.

Adding to the excitement was the timely release of EPiC, the longawaited Elvis documentary, which released on DVD on Tuesday, June 16.

The performers referenced it several times throughout the night, drawing knowing nods from fans who had made sure to get to the theatre to see it on the big screen — and curious murmurs from those who hadn’t yet.

The connection between the two created a sense that Elvis’s legacy is not only alive but actively growing, reaching new audiences while giving longtime fans something fresh to celebrate.

As always, the trio of international champions delivered a seamless journey through Elvis’s career:

Leo Days from the US brought explosive energy, crisp vocals, and a commanding presence to the 50s and 60s.

Oliver Steinhoff returning all the way from Germany brought back all the swagger and spectacle of the Vegas years.

And our very own Roy LeBlanc, the man behind We Three Kings and A Royal Tribute Productions put his warmth, soul, and deep Elvis history to the audience.

Together, they created a show that felt both nostalgic and newly inspired — a tribute that honoured the King while giving Goderich something uniquely its own.

For those who attended, the 2026 We Three Kings concert wasn’t just a performance — it was an experience. It reminded us of why Elvis’s music continues to resonate, and gave many, a joyful escape into the eras that shaped modern music.

If the cheers, standing ovations, and postshow buzz heard by many on their way out telling the “cast” they hoped to see them next year were any indication, Goderich is already hoping the Kings will return again next year to recognize the 50th anniversary of Elvis’s death which, I’m sure will be noted worldwide.